水墨的影视艺术语言的研究是计算机科学与技术专业论文中的优秀论文，整篇文档设计精致，撰写规范，内容厚实。
摘要：中国动画在20世纪六、七十年代曾一度辉煌，形成了自己的一些优秀传统也积累出了一定的民族特色。尤其是水墨动画更是成为中国动画进军世界动画界主力军，为世界动画做出重大探索性的贡献，水墨动画作品在国际动画大赛中频获大奖，充分体现出水墨动画在世界动画界的地位是不可替代的。但是在如今动画界普遍关注商业动画的形势下，我国的水墨动画片，无论是影院动画还是电视画都无法跟上我国动画需求的步伐，更不用说在海外市场上竞争了。
近年来，越来越多的动画人投身于使中国动画商业化，而如何使最具中国民族
特色的水墨动画走向现代是当代动画人无人问津的课题。使得中国动画丢掉了自己的中国精神。而中国精神在动画界最好的传达方式就是水墨动画。
中国水墨动画片，单从作品形态上分析，最大的缺陷是缺少影视艺术语言。水墨动画中影视艺术语言的运用，不仅影响着水墨动画的吸引力和可观赏性，而且在很大程度上决定着一部水墨动画片的艺术质量，决定着水墨动画创作艺术上的成败。因此，水墨动画影片必须重视影视艺术语言，将电影思维融入水墨动画影片的创作中。
关键词: 水墨动画 影视艺术语言 电影思维 镜头感 水墨精神
研究类型: 理论研究
Abstract: in the 20th century Chinese animation of the 1960s and 70s, once magnificent formed their own some excellent traditional also accumulate out certain ethnic characteristics. Especially ink animation is becoming China's animation march world animation world, for the world animation main make a significant contribution, wash cartoon of exploratory works in international animation competition intermediate frequency won great prizes, which fully reflects the wash cartoon animation world status in the world is irreplaceable. But now in animation sector generally concerned under the situation of commercial animation, our ink cartoons, whether cinemas animation or TV pictures couldn't keep up with the pace of the animation demand in China, not to mention in the overseas market competition.
In recent years, more and more DongHuaRen devoted to make Chinese cartoon commercialized, and how to make the most Chinese nation
Characteristics of contemporary ink animation into a modern DongHuaRen little-noticed subject. Makes Chinese animation lost their Chinese spirit. But Chinese spirit in the animation world the best way is to wash cartoon to convey.
Chinese ink cartoons, single from the work of ideological analysis, the biggest video art language is the lack of defects. Ink painting animation film art language, not only affects the appealing and wash cartoon nice, and largely determines the artistic quality ink animation film, determines the ink on the success or failure of the art of animation. Therefore, the ink film and television animation art language, must attach importance to film thinking into the creation of animation films in ink.
Keywords: wash cartoon movie and TV arts language movie thinking lens flu ink painting spirit
Research types: theory research
目 录
一、水墨动画的形式语言特征1
(一) 水墨动画的抽象性1
(二)水墨动画的意象性2
(三)水墨动画的可塑性3
二、水墨动画中的影视美学特性3
(一)综合性3
(二)技术性6
三、水墨动画片中的电影思维方式7
(一)时空综合的情节思维8
(二)水墨动画的镜头感9
结语10
参考文献：11
致 谢12
